by Amy | Mar 1, 2019 | singing
I have been EXTREMELY fortunate in my life to have the opportunity to work with people who have profoundly inspired me. I grew up in a small town suburb of Kansas City, Missouri. My Dad was a hardworking mechanic and VW salesman. My Mom stayed at home and raised three kids while she operated a thriving cake business out of our home. While we never went without, our lives were simple and our excesses were few.
We were church-going people, and we spent a lot of time going back and forth to various church activities throughout each week. Our parents’ meager income was enough to afford us the opportunity to go to a Christian school, but beyond that, higher education was rarely emphasized in our circles.
Throughout my childhood, I took piano lessons off and on for several years. Playing the piano soothed me and helped me make sense of the world. Alongside taking piano, I developed another passion that eventually took over and guided me throughout middle school and high school — singing!
Like many kids, high school was a tough period for me. My parents weren’t able to buy me a car, so I had to work to pay for my car. I later was appreciative of this, because it cultivated a work ethic in me that I would later use to my advantage. But, at the time, it caused me to have to choose between school involvements, like choir, and responsibilities, like working. Yet, even with those choices, I was able to participate in elite choirs throughout high school and achieve a level of success with those choirs.
After I graduated from high school, the last thing on my mind was college. I was more interested in earning money, partying with friends and boys. Because there wasn’t a history of college graduates in my family, I was not encouraged to press forward into even the “thought” of obtaining a degree.
Despite all that, I ended up going to our local metropolitan community college for a year and then quit school to get a job as a men’s fragrance salesperson at a department store. While I was working behind the counter at The Jones Store, there was a mallwalker by the name of Richard who would come by every day and spray on his Aramis cologne. Little did I know, he had just lost his wife of 50 years to cancer, and this was a way for him to get out of the house and meet people.
Over and over again, Richard would come by my counter and wave a nice greeting as he walked away. Until one day, he stopped and said, “What do you really want to do?” This question took me by surprise, because I didn’t realize I had options. I answered him, and simply said, “I don’t know. What do you mean?”
Richard went on to ask me what I enjoyed doing or what I knew most about. He then went on to explain how he had just lost his wife to cancer and spent the bulk of his career as an accountant. But what he realized when he retired was that he actually really enjoyed painting — specifically with pastels — and he wishes he would have pursued that further. Then, he asked me again, “What do you really want to do?”
This time, my answer was different. I had always loved music. I loved singing. And just recently, before this encounter with Richard, I had found a cassette tape of Beethoven symphonies in the back of a used car my Dad had bought, and I couldn’t stop listening to it. The sound of strings playing together in such perfect, pristine collaboration was the most magnificent sound I had ever heard with my own ears. I was hooked. I needed this in my life somehow…some way! So, finally, when he asked me this question I had an answer: “I want to do something with music.”
Over the course of the next few months, he would continue to walk by and ask me how my plans were coming along. The details of the timeline are now fuzzy, but I know that I was able to get an application sent to me by my local university at UMKC, and I filled it out. Over the course of the next few months I would take voice lessons from teachers I knew and prepare for an audition for the Conservatory of Music. And when that day came, I did it!
A few weeks later, I received a letter that I was accepted into the Conservatory as a music ed major, but only on probation. See, my grades in high school and community college weren’t that great, so I needed to prove myself and get those grades up to stay in the program. Challenge accepted!
I tell you all that to say that those years from 1994 to 1998 were some of the most formative years in my entire life. I had the opportunity to study under some AMAZING teachers like, Dr. Charles Robinson, Dr. Randall Pembrook and Dr. Eph Ehly (pictured above). Those men, and so many other instrumental teachers there, taught me the value of perseverance and hard work. They taught me that life was more than just earning a living. They taught me that “we don’t teach music to people, but we teach people through music.” They taught me that I had a purpose, that I had value and I had the right to dream big. But most importantly, they taught me that, above talent…above all else really, my highest purpose is to inspire, encourage and support others to live out their purpose as well.
Toward my last year or two of undergrad (again, the timeline is fuzzy), my financial situation begin to take its toll on me. I was living at home, working part-time to full-time hours at Sprint Relay Center for the Speech and Hearing Impaired while going to college full time. My drive from my parents’ home to the school and then to work was like a big triangle where nothing was close together or convenient. Many of my required courses were spread out throughout the day, and parking at Grant Hall, where most of my classes were, was always a nightmare. Not only that, but my car was always a less-than-reliable source of transportation. It seemed to always break down somewhere at the most inconvenient of times when I was either on my way to work or an important rehearsal.
Early on in my studies, Sprint had a program that reimbursed college education — in any major. I took full advantage of this during my first two years of school. But after those first two years, they changed the program to only include degrees that were complimentary to the company — like business or computer science. I was at a fork in the road where I needed to either change majors or take out student loans. At that point in my life, and many times before and since then, my only database for handling decisions revolved around money and my current financial stability. But this time was different. After much deliberation and prayer, I decided to stay on with the music program I had begun and already invested in.
The main challenge, however, was always my commitment to stick it out even when my outer circumstances sometimes dictated that I fall off the path completely and derail. I wanted so badly to take the easy route. I wanted life to be easy-breezy and not filled with so many obligations and commitments. I wanted what I saw my friends having: the glamorous life of parties and dating and new cars. Instead, I was working my butt off and barely finding time to practice my instrument or prepare for exams. I had already let my grades slip and began ditching classes when Dr. Robinson pulled me into his office and talked with me about what was going on. He didn’t judge me. He just genuinely listened to how I was doing. And then he nudged me and encouraged me to keep on going and fight for this. And I took his nudge to heart and pressed on.
Being a part of the Heritage Chorale at UMKC was another nudge for me to press on throughout undergrad, and it gave me a glimpse outside of my own circumstances and into all the possibilities that could await me if I chose to press on and release all the baggage. By the way, the music building where we met for choir was where Walt Disney himself had attended elementary school. Isn’t that the coolest? I had NO idea what awaited me in that choir room when I walked into choir that first day. Our choir director, Dr. Eph Ehly, would stand at the door of the choir room at every single rehearsal and force you to shake his hand with a firm grip. “No weak handshakes allowed.” Once everyone had taken their seats, he spoke words that would inspire generations of music makers and educators alike to go out and change the world. He would encourage us to leave our problems at the door and come together for this divine hour and focus on the task at hand: the music.
That year, under the direction of Dr. Ehly, Heritage Chorale was invited to sing at Carnegie Hall in New York City. During that entire year, my life was transformed. I was so inspired and so much more committed to the journey than I had been before. I started to see a light at the end of the tunnel, but most importantly, I started to actually enjoy the journey and embrace the hard work, because I knew I was supposed to be there. I still struggled with financial baggage and relationship woes that always loomed in the air and threatened to throw me off track, but these great influencers, who were, for all practical purposes just doing their job like good Midwesterners do, inspired me to look beyond my dire circumstances and stay the course.
Have you ever been through a time in your life where you’ve felt like you weren’t sure if what you were doing or where you were was where you were supposed to be? On the contrary, have you ever had the experience where you were sitting under the direction of another person and felt immediately at complete peace because you knew, no matter what, you were supposed to be there, in that place, at that very moment, hearing that crucial message your heart so longed to hear?
Those are the moments I look forward to in life, and those are the moments I experienced under the direction of Dr. Ehly. I am so grateful to him and the other advisers I mentioned who cared enough to spur me on when the going got tough and pushed me to fight for the life I didn’t even know I wanted to live.
This week was the ACDA (American Choral Directors’ Association) 2019 Jubilee Convention in Kansas City, Missouri. Dr. Ehly was one of the clinicians, and many of us alums who were under his direction so many years ago have been chatting for months about how we could manage to get back to Kansas City to be there, in his presence, again. Unfortunately, with our family commitments and the kids’ schedules, I was not able to make it back for this, and my heart has been heavy over not being able to see him and talk to him again like I had hoped. My girlfriend, Kimberly, even tried to coax me into riding from Tulsa to KC with her and back in 24 hours so we could just be there for his long-awaited reception. We laughed as we talked about it and she said, “Isn’t it funny the lengths we’ll go to to be inspired?” She, like me, is a Mommy to 3 kids and is feeling a bit uninspired and uncertain in her current journey as a singer and music teacher. While the temptation was so great to join her — almost overwhelmingly — I determined that going would be too difficult to manage. A 12-hour drive twice in two days isn’t something you recover from quickly. But, oh, what I wouldn’t give to be there!! I feel like it’s one of those moments where my heart is there, and I long so desperately to be in that place, like a sponge, soaking up and savoring every last word.
But duty calls…
Alas, since I cannot be there, I dedicate this post to him and so many mentors of my past and present who not only teach music, but continually inspire people to be better humans through music.
If there’s something in your life that seems out of reach; or if you feel like you want to pursue something, but it just seems too frivolous or uncertain — remember this:
God put you here for a reason. Your background does not determine your future. Your past experiences don’t dictate who you are and what you are capable of becoming.
I firmly believe that, if we pray for God to provide mentors to help us get where we want to go, He will provide them just like He provided Dr. Ehly, Dr. Robinson…and let’s not forget my dear friend, Richard. God provided me with mentors in abundance, and I am so grateful for their steadfast commitment to helping people like me reach greater heights far beyond anything we thought we were capable of doing.
by Amy | Jul 5, 2017 | practicing, singing
This week and next, I’m wrapping up my 4-part series called Getting Back to Singing. Why have I taken the time to spend 4 blog posts on this topic? Because I talk to so many people who tell me they used to sing, but for whatever reason, they feel they can no longer make it work in their lives. There just isn’t enough time. There isn’t enough opportunity. They feel they’ve strayed too far and would need significant training in order to get their voices back in shape. Whatever the reason is, they aren’t singing anymore…but deep down, they want to be.
So far, in Part 1, we discovered our why for singing and in Part 2, we unwrapped the pain of not singing. Throughout this post, however, I want to talk about some of the challenges we face when we attempt to start singing and offer you some solutions for making singing a priority again in your life while overcoming the not-so-unique hurdles we all face.
Here are some challenges I often hear and personally experience and some possible solutions to those challenges:
Challenge #1: Time
The first challenge I hear many people talk about is time. As we get older and have more responsibilities like demanding jobs, mortgages to pay and children to feed and care for, we soon realize that everything else, whether consciously or unconsciously, gets put on the back burner. We may forego a lot of things we used to love like sports, painting, learning a new skill, reading, travel, and of course, singing becomes one of those many things that just falls to the bottom of our priority list.
Solution:
While I can attest to the extreme difficulty of finding time in our busy schedules to practice and invite music back into our lives, I can tell you that it is not as impossible as it may seem. Like any endeavor we set out to do, we know that if we fail to plan we plan to fail. Simply put, planning to sing and actually writing or typing it into our schedule is one of the biggest hurdles we can overcome. Maybe you can’t sing for hours on end like you used to, but that doesn’t mean you can’t sing at all. Schedule in a few minutes every day to tend to your voice. It may be 10 minutes here or 15 minutes there, but the point is: you’re singing! Try not to be down on yourself when you miss a day. Just sing when you can. But sing!
Challenge #2: Resources
While we may have once spent quite a bit of our earnings on vocal training, CDs (I know this dates me) and new sheet music, we may find that we just don’t have the leftover funds in our budget to do any of these things anymore. Depending on where you live, the cost of voice lessons can average anywhere from $50 – $150 per hour, and since you really need to be consistent in pursuing lessons if you want to see any difference, that can add up to a big chunk of change per month if you go all in. If you are anything like me, I am trying to cut back rather than find places to spend our family’s income, so the idea of taking voice lessons might be a stretch — especially if you’re on a budget.
Solution:
Paying for a voice teacher or buying sheet music no longer has to be a huge expense like it once was. With free online tutorials (like I provide here and on my YouTube channel) and downloadable audio warm-ups you can get by signing up for my newsletter, you can be well on your way to singing freely and effortlessly in weeks without spending a dime! With Spotify, you can listen to your favorite songs you want to learn and even get a karaoke/instrumental version to sing along with for a free subscription or a monthly paid subscription under $15/monthly. Sheet music can be found through your local library, online at a low cost or even free if the music isn’t copyrighted or you have a friend or a church you could borrow from. Money should never be a deterrent to singing — especially when we are able to get so much information so easily — for free!
Challenge #3: Confidence
It can be extremely difficult to get back on the wagon and put yourself out there if you haven’t sung in a while, but one of the biggest reasons I hear about has to do with confidence. Many people feel like they’ve strayed too far for too long and just don’t have what it takes anymore. It’s also possible that a previous performance opportunity didn’t quite go as planned and that’s made you leery of jumping back in. Confidence, or the lack thereof, can be a major player when it comes to not singing. But it shouldn’t be.
Solution:
While I can’t wave a magic wand and make you confident again, I can tell you that the act of practicing and working on your voice on a regular basis like I suggest can be all the ingredients you are needing to regain confidence in singing. A wonderful singing friend of mine has always encouraged me by telling me nonchalantly, “It’s just like riding a bike.” And truthfully, it is. Your voice is your voice. Not much has changed with it since you last sang. Dusting it off and getting it to do what you want it to do is just a matter of starting and working on it for a little bit every day. It’s not rocket science!
If you are truly one of those people who struggles with confidence in general, I can relate to your angst. However, I have found that the more you do something — anything, really — you will gain more confidence in doing it. Sing at your local library during story hour. Sing at the children’s hospital or for a nursing home. Sing with your neighbors and go caroling at Christmastime. You don’t have to land a lead spot with the band or a solo just yet. Ease in and schedule some volunteer singing time where there’s no pressure or anxiety on the line. The more you can ease into it and let go of your fear of performing, the easier it will be!
Challenge #4: Space
While you once may have had a sacred space of your own where you could go and chisel out your technique or learn a song, you may find that you no longer have a place to practice in solitude. If your family has grown (like mine), it’s easy for a practice space to turn into a child’s room or a home office or a catch-all space for everything you need to store. For years, my studio became a storage space for holiday decor and wrapping supplies. The thought of going in there to sing made no sense with all the clutter I would have had to face in that room. Finding a space to sing can sometimes be one of the biggest challenges we face, but it is an important and often-forgotten key to successfully getting back to singing again!
Solution:
While there is no one-way solution to creating your space to sing, you can simply begin by creating a make-shift, temporary space to sing while you deconstruct another space that’s more permanent. The reason I say “temporary” is because I have a feeling, if you’re like me, you will fret over the space not being exactly what you want it to be, and because of this, you will never sing. We’re funny creatures, aren’t we? So, when we make a temporary space, we are saying to ourselves, “This is OK for now…but eventually, I want it to be a different space that makes me feel joyful and allows me to focus on my singing (instead of the clutter or noise around me).” In this space, we aren’t perfectionists. We aren’t looking for something to fix or repair or clean. We are simply going there to sing. As we begin to spend more and more time there, we will make it more personalized for us. I can’t tell you how much I love this idea of creating our space to sing! It gets my juices flowing!
OK, so there ya have it! I’ve listed some of the top challenges people face when getting back to singing and some solutions to those challenges. I will readily admit that I haven’t listed all the possible challenges that include what you may be personally going through, or this post would be a mile long. I’m well aware that your own personal challenges may be greater than the ones I’ve listed. Some of you are going through huge life changes or you’re working 3 jobs to make ends meet or you’ve got a physical limitation that is affecting your ability to do what you used to do. Obviously, I’m not referring to you if your challenges are greater than the ones I’ve listed. But I will say that every season has its own set of unique hurdles to overcome and pretty much everything is figureoutable. So if you’re not in a place where you can start singing right now, have faith, my friend. You will be in that place again soon.
Today, I’ve included a free printable for you to download, print out and fill out. On this sheet, I want you to list your own personal challenges to singing and then attempt to list the solutions. You’ve probably already thought of a few solutions while reading this post. So let’s get clear, shall we?
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Comments? Questions? Let me know!
Happy Singing!
by Amy | Jun 21, 2017 | singing
Raise your hand if you’ve ever stopped singing and felt the emotional or even physical pain that comes with the void you felt (or still feel) in your life. Maybe you’ve stopped singing because you no longer felt the love you once had for it. Or it could be that you’ve had physical issues that caused you to stop singing for a period of time. Or it’s possible you’ve struggled with your technique or some aspect of singing or performing and just couldn’t shake the issues you were facing enough to keep going. Or perhaps, life just got in the way and even though you loved singing, it just didn’t fit in anymore.
Well, I stand here with you raising my hand, because I also stopped singing for all of these reasons…plus a couple more. As I’ve stated before, singing just became too painful for me because I no longer felt like I knew why I was working so hard and sacrificing so much to do it. I simply wasn’t getting anywhere and finding the help I needed in order to have everything in place and singing well just seemed beyond my capacity. I was out of bandwidth. Then, as the years went by, life just happened and it became easier and easier for me not to sing than it was to make time or room for it. So I stopped.
If you’ve felt any of this before or are experiencing it even now, I know this feeling all too well. I’ve lived it time and time again throughout my career and then again as a mother to 3 young children. I still continue to go through periods of time in my life where singing is just not my top priority and has to be put on hold. But over the years, I’ve realized that I can’t let myself go too long, and I believe that it’s important to clearly understand the consequences you inevitably face when you put your singing on hold for too long or give up singing altogether.
For some, identifying the specific pain that comes from not singing is just as important or perhaps even more important than discovering your initial why for singing. We can know that singing brings us great joy, and we can pursue it and know why we sing. We can feel all the feels and experience all the great experiences singing has to offer. But there will inevitably come a time when singing also brings us great heartache. It’s like a marriage of sorts. We can marry the love of our lives, but until we know that this person can and most likely will deeply hurt us and we can deeply hurt them, we can’t fully understand our commitment to making it work while making the conscious, intentional choice to stick with it and ride out the storms.
So what’s your pain point? What does not singing do to you? And when is enough enough? Do you ache inside when you hear someone else singing and using her talent while you sit on the bench and know it could be you? Do you secretly wish someone would ask you to sing for some event so you would have the excuse to work your voice back up and come out of your shell? Does a tinge of pain hit you when you hear of someone else’s success when you should be excited and celebrating too? Perhaps you even feel the pain physically and notice that when you do attempt to sing, your voice just isn’t doing what it used to do anymore. It’s out of practice. You don’t sing with the stamina or strength you used to have. Perhaps you’ve lost your top or your support has dwindled. And that hurts.
Whatever your pain points are, they are real and they are trying to tell you something. We typically feel pain in our lives when something has changed or needs to change. And if you love singing and are not engaging in the activity of doing it regularly, may I suggest that this is something that needs to be addressed ASAP? I know it’s sometimes easier said than done. After all, if singing were simple or fitting it into our already busy lives were easy, we wouldn’t be in this predicament, would we? But my hope with this series is that you see that you were meant to be singing, and you need to find a way to reconcile your life to making it work. Because living without it is much more painful!
My hope is that this series is just the nudge you need or just the fire lit under your proverbial behind to get back to singing again. This week, I’ve included a free printable download for you to continue doing your inner work and discovering where your priorities are and where you eventually need them to be again. As I’ve said over and over again, it’s OK if we temporarily need to take a break, but we just don’t want it to be a long one.
So get this printable and if you haven’t already, go back and read my introduction to this Getting Back to Singing series and Part #1 – My Why so you can catch up!
Happy Singing!
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by Amy | Jun 16, 2017 | singing
If you read last week’s blog post entitled, Getting Back to Singing, you’ll know that I am starting a 4-part series that guides readers through a very important initial step in getting back to singing again after a singing hiatus.
Today is Part #1 of this series and it’s all about MY WHY, because I think it’s so important to be a detective and really get down to the heart of why you want to sing in order for you to put your first foot forward, start singing again and get some serious traction!
So what’s your why? Why do YOU want to sing?
I’ll tell you a little bit about my why in hopes that it helps you think more about yours:
I’ve always loved to sing since I was a wee bitty little thing. I remember holing up in my room listening to and memorizing all the lyrics to my favorite songs and gathering up my sisters, friends and cousins every time I got the chance so we could “perform a concert.” I remember that music and singing were always such a huge part of my life, and listening to singers sing solos at church was so awe-inspiring for me. I remember a family friend singing, “We Shall Behold Him” by Sandi Patty at my Aunt Georga’s funeral and realizing that I needed to learn to sing that song too. I also remember getting a hold of that Sandi Patty cassette tape (I know that dates me!) and listening to it over and over again while trying to sing the high notes like she did. I didn’t do it very well, but I was passionate and I was determined!
As I grew, I remember wanting to join the choir in middle school. And then again in high school. And then majoring in music education with an emphasis in vocal performance in college. I remember having a good deal of success singing and getting positive feedback for how I was progressing. But then something happened…
Somewhere down the road, singing became hard. It became painful. I received harsh criticism. I got rejected. I had teachers whose motives weren’t the purest. I had competitive singer friends who were out for their own gain and weren’t encouraging about my attempts at success. I started questioning everything I was doing. I developed paralyzing stage fright and an unrelenting anxiety around singing.
While I continued singing off and on through the years, I could never really shake the internal, paralyzing fear I couldn’t shake and the feelings that singing brought up for me. The wounds were deep. It became easier for me to do something else that I wasn’t so attached to…something I wouldn’t receive so much criticism for. Something that wouldn’t bring up so much pain.
In the meantime, I had 3 beautiful children. It was really easy for me to just dive deeply into the role of motherhood and forgo all of my past endeavors and passions in order to give all I had to my babies. So that’s just what I did. And for a while, it worked. I have loved being a Mommy more than anything else I’ve ever done in my life! But something was missing. Something began to gnaw at me. I missed singing.
Gradually, I started sitting down at my piano again. I started getting out art songs and hymns and then eventually, I started dusting off my arias. I remembered a time where I was fortunate enough to have a voice lesson with the great, Canadian tenor, Ben Heppner, while living in Vienna, and I’ll never forget that lesson and what he said to me:
If you’ve lost your joy of singing, you’ve gotta go back to your roots. What made you love singing at the beginning? What were those songs that inspired you and made you want to sing? Sing those songs. You’ve gotta find your joy again.
I share this story with you to get your wheels turning about YOUR story. What is YOUR WHY? What were the songs or the singers that initially inspired you to sing? What was or is the part about singing that you love?
Forget the critics. Forget the big ideas or dreams you wish you were achieving but aren’t. Forget the envy you may have of others who are doing what you always wanted to do. You don’t know their story or their struggle. Forget the let downs and the pain you may have felt when someone rejected you or you didn’t get the recognition you thought you should have had for your vocal potential.
Now is your chance to find out that thing about singing that brings you joy. And get this…this is YOUR life! You get to decide how to spend your days and what you want to do. No one else can limit you and keep you from your dreams! If the worship team is full and doesn’t have room for another vocalist, find another worship team. If the choir you want to sing with says they aren’t holding auditions, find another choir. If you didn’t get that solo part you were hoping to land, there are plenty of nursing homes full of people who would LOVE to hear you! If no one calls you back when you send them your demo, keep on making and sending out your demos. Someone will eventually bite. And if they don’t, you still have that JOY that singing brings you. Sing for yourself!!!
Can you tell I’m passionate about this whole WHY thing? Because I’ve lived it. I’m still living it now. I’m not doing all the things I’d love to be doing vocally because being a Mommy of 3 little ones simply doesn’t leave room for all of it. I’m not singing at all the venues I’d love to be singing in or doing all the auditions I could be doing. But that doesn’t mean I can’t sing for myself. It doesn’t mean I can’t sing for my children or with them. It doesn’t mean I can’t engage in an activity that truly, deeply, brings me joy!
So find your why today, my friend!
I’ve included a free printable download you can get right here. This My Why Guide will ask you questions that trigger your answers and help you find your why for singing!
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Happy Singing!!!
xoxo
by Amy | Jun 9, 2017 | singing
I love to sing, but my voice and my confidence level need a lot of work if I’m ever going to sing in public. I just don’t know where to start.
I suppose I really should find a good voice teacher and start working on my voice. I feel like I know the basics of singing, but I need a refresher to get back in the groove!
I’d love to sing more often and maybe do something more with my voice, like: audition for the worship team, sing with the band or in that choir. But I need help getting my voice back in shape.
I have fond memories of a time in my life when I was actively singing. I’d give anything to make space for that again in my life. I really miss singing! I’m just so busy! Where would I fit it in?
Sound familiar? If so, you’re in the right place, and I hope I can facilitate you in getting back to singing again as quickly as possible!
I, too, went through a really long season of not singing myself, so I can totally relate! And I majored in vocal performance and had already been singing professionally before I went on my singing hiatus! After having 3 children over a period of 8 years, however, the idea of trying to find time, space in my head and money to take voice lessons with my graduate professor all seemed like an impossible feat. And to be honest, it was impossible at that time. And in my mind, I thought I was OK not singing and devoting all my energy to my children. I mean, after all, I had had 30+ years of sowing my singing oats and now was a time I wanted to give parenting all my effort and take care of my babies. And I’m so glad I did that. I can never get those years back, and I feel like I spent them wisely and have no regrets. But there came a time when I started to feel like I desperately needed to jump back into singing again, and I deeply missed it — like I had lost a limb.
If this, too, sounds familiar to you, I want to encourage you. Being a Mommy or taking care of a parent or a sick loved one or any other time-consuming endeavor that could take you away from your passion is OK for a while. But we always want to return to what makes us who we are and find a way to learn and grow, despite all of our responsibilities — and in my case, little people, who depend on me. If we don’t find that time to develop our passions, we eventually start to become bitter and often wonder what is missing in our lives while swimming in a sea of chores and activities that bear little resemblance to who we once were or what we find joy in doing. Think of it like an oxygen mask we have to put on ourselves before we can be the best for others around us. Singing is our oxygen mask and it can serve us in so many ways that other activities cannot. It can also bless people around us, too. I never realized that, while depriving myself of singing, I was also depriving my young children of hearing me sing and enjoying music themselves in the way that I enjoyed it. Funny how that works.
Over the next few weeks, I’ll be deep diving into a 4-part series that will:
- Define My Why (Why Do I Sing?)
- Identify the Pain Points of Not Singing (with stable technique and confidence…or at all)
- Overcome the Challenges (of fitting singing back into our lives)
- Finding the Best Vocal Coach for Me
With all of these components in place, I am 100% certain that we can begin to understand why we need to be singing and begin restructuring our schedules (and budget) so singing can become a priority and a vital part of our lives again. I’ll take you step by step, so you don’t get overwhelmed, and I’ll help you find that sweet spot where you are singing again and still have plenty of time do take care of all your other life responsibilities!
Life is too short not to be using our voices and enriching our lives and the lives of those who hear us with singing!
So, let’s get started, shall we?
In the meantime, I’ve created a Sing! Sheet for you to begin to break down the importance of getting back to singing and help you navigate through this series with clarity and direction. So don’t miss out! Sign up below and get your Utlimate Guide to Getting Back to Singing CHECKLIST that you can download and print out.
Happy Singing!!
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by Amy | May 31, 2017 | singing
Let’s start at the very beginning…
…a very good place to start. Sorry…a little Sound of Music reference there. When it comes to singing, however, whether we are just beginning to sing or starting over, we need to first understand the fundamentals…the basics, if you will. So that, my friend, is what I wish to lay out for you right here…right now. Because, there’s no other place I wanna be. (ugh…sorry again. It’s a problem of mine.)
Anyway…
When a student comes to me for the very first time, I never assume that they know everything there is to know about singing. After all, if they did, they wouldn’t be needing a lesson from me, now would they? Instead, I ask them a series of questions about what they know and what they feel they need to know in order to be the best singer they can be right now…or very quickly. Whether a student can articulate all of that is irrelevant, but usually they can describe to me what isn’t working. And usually, their instincts are right!
So, here are a few questions I ask a new student, and the (bold parenthesis) are what it tells me about how we’ll begin our journey. As you read through these, ask yourself the same questions:
- How long have you been singing? Have you had any formal training? (experience and knowledge about singing)
- What are you working on? (repertoire interest as well as knowing who they are)
- What do you know about breathing? (knowledge about breath management)
- What do you know about sound? (knowledge about the vocal tract and resonance)
- What’s your sign? Just kidding…just wanted to make sure you’re paying attention.
- What do YOU feel works really well in your voice? (strengths and confidence)
- What do YOU feel like you need help with? (self and vocal awareness and needs)
- What is your goal for taking lessons or enrolling in online vocal training? (setting goals and making a plan)
If I can get this information up front, it takes a lot of guesswork out of the picture. And both the singer and I can be clear about what it is we’re aiming for. Without these important answers, we’re just blindly wondering around trying out vocal exercises and flipping through pages of song books without a goal.
So, if I may ask, what are your answers to these questions? By answering them, you should start to get clear on some things and hopefully, get really excited about singing! I know it makes me excited. And I sometimes even go back and ask myself those questions from time to time in order to stay in check with myself and make sure I’m on the right track.
So, when it comes to technical knowledge, the obvious first big question has to do with breath management and breathing. What terminology are you familiar with? What do you use to inhale? Is it the mouth or the nose? Where are the lungs? Where is the rib cage? Typically, I get students who mention that they breathe through the mouth, although some have suspected the nose is also involved. Most students know about some vague thing called the “diaphragm” and talk about breathing coming from somewhere in their belly region. So, I begin tackling that topic by making sure they understand precisely where they breathe from and how the breath works for singing. This concept of body mapping was taught to me by my graduate professor, and it works wonders in helping us find a place to start and getting us from Point A to Point B as quickly and efficiently as possible.
So, here, I’ve broken down some basic concepts that I always try to clarify within the first lesson or two:
- We breath through the mouth. First off, we want to note that we breathe through our mouths when we sing–unlike yoga where we breath through our noses. We do this because, well, we can inhale more air through our mouths. And, our mouth is like a stage that we set up for that initial sound to be produced. We want to make sure it is open in the back with an elevated soft palate (which we won’t go into depth about here) and the opening in the front of the mouth is also relaxed and open to the degree it needs to be opened for the first sound we will produce. Breathing through our nose has the opposite effect: It causes our soft palate to be lowered and can result in a nasal sound. Plus, our noses cannot inhale a whole lot of air, so we will come up short when we have to sing long passages. Just say NO to breathing through the nose. Except for yoga. OK, moving on…
- Locate rib cage and lungs. The rib cage starts much higher and end much lower than we think it does. It begins right beneath the shoulder blades and ends right at the middle of our upper body just above where our elbows hit when we allow our arms to dangle down. Our lungs are housed inside our rib cage, and also begin just beneath the shoulder blades. We have no lungs in our stomach region. Many times, singers feel sympathetic movement in their stomach, but this is not where the lungs are and not where we should focus when we breathe. Also, the lungs are not just in the front of our bodies, but they are present within our sides and back. I like to refer to the lungs as an inner tube of air going all around our upper body. When we breath for singing, that inner tube expands all around and supports our sound.
Here is a picture of our rib cage and lungs. See how high up they are? Who knew? (well, I kinda did…)
- Dispel the diaphragm myth. The diaphragm itself is an involuntary muscle that runs through the middle of our upper body, directly below the lungs. I repeat, it is an involuntary muscle. That means, we have no control over it — at least not directly. We don’t do anything with the diaphragm, and we can’t feel it. The diaphragm does have a job, but we use other muscles to control it and not the diaphragm itself. I’m not sure how it got to be such a popular term within the vocal arena and why it’s talked about so often within the choral world, but it is irrelevant for singers to know about. There. I said it. My philosophy here is, if we can’t control it, why should we talk about it and focus on it? It makes singing too complicated. And no student I’ve ever met understands what it means or what it does. So, why talk about it? Who cares? OK, I’ll step off my diaphragm hotbox and move on, K?
Here is a picture of the involuntary diaphragm contracting when we inhale. See the arrow showing how the diaphragm descends down?
Here is a picture of the involuntary diaphragm relaxing when we are completely out of breath. That is the diaphragm’s natural resting state.
- Appoggio. Now, before you think I’ve switched over to Italian and you tune me out, just stay with me. This is the real deal. This is the good, important stuff we need to be talking about in terms of breath control. The word appoggio (pronounced uh-podge-oh) comes from the Italian word appoggiare, which means “to lean into something”. When we sing, we use our intercostal muscles, that are in between our ribs, function to create a resistance and help control our air flow. So instead of addressing the overly-used “diaphragm spiel,” I talk about the appoggio. When we expand our rib cage (like we would if someone were to sucker punch us or how we do if we’re surprised), we allow space for our lungs to then expand. So try that. Expand your rib cage and inhale (through your mouth) and concentrate only on the lungs expanding and nothing below. When we use the appoggio, we basically resist deflation or retard the ascension of the diaphragm. And that, my friends, is breath control — in a super-condensed nutshell.
Here is a picture that shows the antagonistic muscles, the external and the internal intercostal muscles. These muscles oppose or resist the actions of each other. This antagonistic action is the appoggio in action!
To demonstrate this concept, I always ask the student to place his/her hands around my rib cage (but only if he/she is comfortable doing so) and I show them how I breathe. This area around the rib cage is, generally-speaking, right below the breast where the rib cage is a bit more elongated. When the student feels the resistance I use when I sing, most of them are totally surprised that this is what is what should be happening. Then, after I have demonstrated how it should work, I ask the student to allow me to put my hands around their rib cage and guide them to resist with those intercostal muscles we just spoke about and utilize their appoggio as well. It always feels awkward for them at first, but then, I always see a light bulb go on, and they smile with a really cheesy big smile, because THEN…they get it!
After we’ve done that, I do a series of breathing exercises where I ask them to inhale and do this:
- Ch-Ch-Ch | Ch-Ch-Ch | Chhhhhhhhhhh until they have no breath left. I ask them to feel the resistance. We do a few of those, and then we do:
- S-S-S | S-S-S | Sssssssssssss until they have no breath left.
After we do a few of those to really feel the resistance of those muscles, we then work on singing through some phrases — either from a song they already know or a simple vocal exercise and focus on that area a little more. I may spend a lesson or two on the concept of breathing and breath management while allowing them to sing their songs they brought in or already know. My goal of each lesson is to give them as much knowledge I can while allowing them to do what they came to do in the lesson: sing. However, the concept of breathing and breath management is one that comes up a lot throughout my time with each student, and we must continually readdress it and sometimes relearn how to utilize this savvy singers’ tool effectively!
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Was this helpful for you?
If this post helped you, I’d love to hear about it! Has anyone talked about the concept of using your appoggio before — either in a lesson or another learning setting? Did I clear up any myths or issues you may have previously had about the diaphragm? If so, I’d love to hear about it in the comments below. Also, please do me a favor and share this post now if there is someone you may know who might need to hear this information. Knowing the correct information is vital when it comes to developing your voice as a singer!
As always, I offer you the opportunity to sign up in the box below, and when you do that, I’ll send you a FREE printable download which goes into more depth about the appoggio.
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